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Athenian tragedy the oldest surviving form of tragedy is a type of dance drama that formed an important part of the theatrical
culture of the city state. Having emerged sometime during
the 6th century BC, it flowered during the 5th century BC (from the end of
which it began to spread throughout the Greek world) and continued to be popular until the beginning of the Hellenistic period. No tragedies from
the 6th century and only 32 of the more than a thousand that were
performed in during the 5th century have survived. We have complete texts extant
by Aeschylus, Sophocles, and Euripides. The
origins of tragedy remain obscure, though by the 5th century it was institutionalised in competitions
(agon) held as part of festivities celebrating Dionysos (the god
of wine and fertility). As contestants in the
City Dionysia's competition (the most prestigious of the festivals to stage drama), playwrights were required
to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which
usually consisted of three tragedies and one satyr play.
The performance of tragedies at the City Dionysia may have begun as early as 534 BC; official records (didaskaliai) begin from
501 BC, when the satyr play was introduced. Most
Athenian tragedies dramatise events from Greek mythology, though The
Persians which stages the Persian response to news of their military defeat at the Battle of Salamis in 480 BC
is the notable exception in the surviving drama. When Aeschylus won first prize
for it at the City Dionysia in 472 BC, he had been writing tragedies for more than 25
years, yet its tragic treatment of recent history is the earliest example of drama to survive. More
than 130 years later, the philosopher Aristotle analysed 5th century Athenian tragedy in the oldest
surviving work of dramatic theory his Poetics (c. 335 BC).
Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy".
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